![]() ![]() Without the questioner being able to see, the responder first creates a drawing using a variety of simple geometric shapes on a piece of paper. One person is designated the questioner and the other is the responder. Two people sit back-to-back, both with a paper and pencil in front of them. Then it’s time for the speaker and listener to switch roles. It also helps the listener practice and improve their reflection abilities. This trains the listener to stop thinking about what they’d like to say next, and instead focus fully on the person in front of them. This activity helps the listener build patience, as they are required to absorb the information and resist interrupting. At this point, the speaker can clarify any misunderstandings or confirm the accuracy of the listener’s words. After the speaker finishes, the listener paraphrases what was said as best they can. The whole time, the listener quietly listens and cannot speak at all. The speaker must talk about a topic that is important to them for about three minutes. They select one person to be the speaker and one to be the listener. Here are four exercises to help connect with others more deeply and genuinely:į or this exercise, two people sit opposite one another. Strengthening these abilities at home and with friends will make it easier to keenly focus on a scene partner’s performance and promote fresh, tuned-in responses. Like any other skill, active listening must be developed. These habits affect personal relationships, sadly, but they also zap an actor’s power in the audition room and on set. And even if technology isn’t interfering with communication, individuals have a tendency to pay attention just enough to plan a response - another form of half-listening. While listening to others, people often underestimate the impact of quick glances at the TV or brief interruptions to check their text messages - this can be described as half-listening. ![]() Phones ring, music plays in the background, and conversations are abbreviated because of time constraints. The modern world has a way of eroding people’s ability to listen attentively. In other words, actors’ listening skills make them far more likely to be hired. From a director’s perspective, such attentiveness demonstrates that the actor is consistently engaged throughout the scene, allowing for quality reaction shots in the editing room, which is essential for creating powerful scenes on screen. Focused, active listening, as well as compelling reactions, make a performance come alive. To date, Bening has been nominated for an Oscar four times.ĭuring auditions, it’s not just about the way actors deliver their lines. So from that point on, she focused her efforts on truly listening. You’re not listening you’re not really taking in what’s happening.” Bening found this assessment of her work to be quite embarrassing at the time, but she knew the teacher was speaking the truth. And what he’s doing is not affecting you because you’re just doing your thing. An acting instructor had critiqued her performance with a scene partner, telling Annette, “Look, you’re used to kind of going up there and doing your thing, but you’re not really taking in what’s happening. “The Kids Are All Right” star Annette Bening shared a personal story with a group of theater students about her difficulty with listening early on in her training.
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